William Shakespeare
The Tragedy of Macbeth
Shakespeare, William. The Tragedy of Macbeth. Edited by Barbara Mowat and Paul Werstine. Washington D.C.: Folger Shakespare Library, 2013. Folger Digital Texts. (This text is furnished courtesy of Folger Digital Texts, www.folgerdigitaltexts.org, and is distributed under Creative Commons license Attribution-NonCommercial 3.0 Unported.)
English · Verso · 1979 versos
https://playcode.fly.dev/plays/EMOTHE0176_TheTragedyOfMacbeth
- Tiempo histórico
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Edad Media
Duncan I ruled between 1034 and 1040. Macbeth of Scotland ruled between 1040 and 1058. Malcom III ruled betwee 1058 and 1093. Nonetheless, Shakespeare seemingly conflates the time of the action into a few months.
- Datación
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1606–1611
desde 1606 y hasta 1611
- Bibliografía
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Ediciones modernas
- Alexander, Peter, ed. William Shakespeare: The Complete Works. London and Glasgow: Collins, 1951.
- Braunmuller, A. R., ed. Macbeth. Shakespeare, William. Updated ed. Cambridge: Cambridge University Press, 2008.
- Clark, Sandra and Pamela Mason, ed. Macbeth. Shakespeare, William. London and New York: Bloomsbury Publishing Plc, 2015. The Arden Shakespeare.
- Collier, J. Payne, ed. The Plays of Shakespeare: The Text Regulated by the Old Copies and by the Recently Discovered Folio of 1632. London: Whittaker, 1853.
- Kittredge, George Lyma, ed. The Complete Works of Shakespeare. Boston: Ginn and Co., 1936.
- Miola, Robert, ed. Macbeth. Shakespeare, William. New York: Norton, 2014.
- Mowat, Barbara, Paul Werstine, ed. Macbeth. Shakespeare, William. Washington, DC: Folger Shakespeare Library, 2013. Folger Digital Texts. Text editor for EMOTHE Digital Library: Tronch Pérez, Jesús. Also available at: https://emothe.uv.es/biblioteca/textosEMOTHE/EMOTHE0176_TheTragedyOfMacbeth.php. URL: https://shakespeare.folger.edu/shakespeares-works/macbeth/
- Sisson, Charles Jasper, ed. William Shakespeare: Complete Works. London: Odhams, 1954.
- Taylor, Gary; Wells, Stanley, ed. Hamlet. In: Wells, Stanley; Taylor, Gary, ed. William Shakespeare: The Complete Works. Oxford: Clarendon Press, 1986.
Bibliografía crítica
- Adam, R. J. "The Real Macbeth: King of Scots, 1040-54". History Today. 1957, 7, p. 381-7.
- Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’ Plays from Hamlet to The Tempest. London: Routledge, 1992.
- Aitchinson, Nick. "Macbeth: Man and Myth". 1999.
- Alker, Sharon and Faith Nelson. "“Macbeth, the Jacobean Scot, and the Politics of the Union”". SEL. 2007, 47.2, p. 379-401.
- Amnaéus, Daniel A. "“A Missing Scene in Macbeth”". Journal of English and Germanic Philology. 1961, 60.3, p. 435-40.
- Barlow, Frank. "“The King’s Evil”". English Historical Review. 1980, 95, p. 3-27.
- Bartholomusz, Dennis. Macbeth and the Players. Cambridge: Cambridge University Press, 1969.
- Berger Jr, Harry. "“Text Against Performance: The Example of Macbeth”". Genre. 1982, 15, p. 49-79.
- Berger Jr, Harry. "“The Early Scenes of Macbeth: Preface to a New Interpretation”". ELH. 1980, 47.1, p. 1-31.
- Bloch, Marc. The Royal Touch: Sacred Monarchy and Scrofula in England and France. Tra. J. E. Anderson. 1973.
- Boas, F. S. "“Macbeth and Lingua”". Modern Language Review. 1909, 4, p. 517-20.
- Boiling, Ronald J. "“Tanistry, Primogeniture, and the Anglicizing of Scotland in Macbeth”". Publications of the Arkansas Philological Society. 1999, 25.1, p. 1-14.
- Bradbrook, M.C. "“The Sources of Macbeth”". Shakespeare Survey. 1951 (rpt.), 4, p. 12-25.
- Bullough, Geoffrey, ed. "Narrative and Dramatic Sources of Shakespeare". Vol. 7. 1957-75.
- Calderwood, J. L. If It Were Done: ‘Macbeth’ and Tragic Action. University of Massachussets University Press, 1986.
- Callaghan, Dympna. "“Wicked Women in Macbeth: a Study of Power, Ideology and the Production of Motherhood”". Di Cesare, Mario A. Reconsidering the Renaissance. New York, 1992, p. 355-69.
- Campbell, Lily B. "“Political Ideas in Macbeth IV.iii”". Shakespeare Quarterly. 1951, 2, p. 281-6.
- Carroll, William. Macbeth: Texts and Contexts. Boston: Bedford Books of St.Martin's Press, 1999.
- Clark, Sandra. "“Macbeth and the Language of the Passions”". Shakespeare. 2012, 8.3, p. 300-11.
- Clark, Stuart. "Inversion, Misrule and the Meaning of Witchcraft". Past and Present. May 1987, 87, p. 98-127.
- Coghill, Nevill. "“Macbeth at the Globe, 1606-1616(?): Three Questions”". Ed. J. G. Price. The Triple Bond: Plays, Mainly Shakespearean in Performance. 1975, p. 223-39.
- Coleman, John. "“Facts and Fancies About Macbeth”". The Gentleman’s Magazine. March 1889, p. 218-32.
- Cordner, Michael. "“”Wrought with Things Forgotten”: Memory and Performance in Editing Macbeth”". Ed. Peter Holland. Shakespeare, Memory and Performance. Cambridge: Cambridge University Press, 2006, p. 87-116.
- Coursen, Herbert R. "“In Deepest Consequence: Macbeth”". Shakespeare Quarterly. 1967, 18.4, p. 375-88.
- Dawson, Anthony B. "“Notes and Queries Concerning the Text of Macbeth”". Ed. Ann Thompson. “Macbeth”: The State of the Play. 2014, p. 11-30.
- De Quincey, Thomas. "On the Knocking at the Gate in Macbeth". De Quincey, Thomas. Ed. David Mason. The Collected Writings of Thomas De Quincey. Vol. x. 1889-90, p. 389-95, 14 vols.
- Dean, Paul. "“Murderous Repetition: Macbeth as Echo Chamber”". English Studies. 1999, 80, p. 216-23.
- Diehl, Huston. "“Horrid Image, Sorry Sight, Fatal Vision: The Visual Rhetoric of Macbeth”". SSt. 1983, 16, p. 191-203.
- Dyson, J.P. "“The Structural Function of the Banquet Scene in Macbeth”". Shakespeare Quarterly. 1963, 14, p. 369-78.
- Ed. Moschovakis, Nick. London and New York: Routledge, 2008. Macbeth: New Critical Essays.
- Ed. Muir, Kenneth and Philip Edwards. Cambridge: Cambridge University Press, 1977. Aspects of “Macbeth”.
- Ed. Sarah Hatchuel, Nathalie Vienne-Guerrin, Victoria Bladen. 2013. Shakespeare on Screen: “Macbeth”.
- Ed. Schoenbaum, S. New York: Garland Pub, 1991. Macbeth: Critical Essays.
- Ed. Sinfield, Alan. 1992. Macbeth: New Casebooks.
- Ewbank, Inga-Stina. "“The Fiend-Like Queen: A Note on Macbeth and Seneca’s Medea”". Shakespeare Survey. 1966 (rpt), 19, p. 83-5.
- Fergussion, Francis. "”Macbeth” as the Imitation of an Action". Ed. Alan S. Downer. English Institute Essays. 1951, p. 31-43.
- Flint, Lorna. "“The Significance of Rime in Shakespeare’s Plays: The Example of Macbeth”". Cahiers Élisabéthains. 1993, 43, p. 13-20.
- Focus on Macbeth. Ed. Brown, John Russell. London: Routledge and Kegan Paul, 1982.
- Gardner, Helen. "Milton’s “Satan” and the Theme of Damnation in Elizabethan Tragedy". Ed. F. P. Wilson. English Studies. 1948, p. 46-66.
- Goldberg, Jonathan. "“Speculations: Macbeth and Source”". Ed. Howard, Jean E. and Marion F. O. O’Connor. Shakespeare Reproduced: The Text in History and Ideology. New York, 1987, p. 242-64.
- Granville Barker, Harley. "Preface to “Macbeth”". Granville Barker, Harley. Prefaces to Shakespeare. Vol. 6. 1974, 6 vols.
- Greenblatt, Stephen. "Shakespeare Bewitched". Ed. Jeffrey N. Cox, Larry Reynolds. New Historical Literary Study. Princeton: Princeton University Press, 1993, p. 108-35.
- Henry, Paul. "The Royal Play of Macbeth". 1950.
- Holland, Peter. "“”Stands Scotland Where It Did?” The Location of Macbeth on Film”". Ed. Robert Miola. Macbeth. Norton, 2014, p. 357-80.
- Ide, Richard S. "“The Theatre of the Mind: An Essay on Macbeth”". EHL. 1975, 42.3, p. 338-61.
- Janowitz, Henry. "“Sleep Disorders in the Macbeths”". Journal of the Royal Society of Medicine. 2000, 93.
- Jorgensen, Paul. Our Naked Frailties: Sensational Art and Meaning in “Macbeth”. University of California Press, 1971.
- Kastan, David Scott. "“Macbeth and the “Name of King””". Shakespeare After Theory. London and New York, 1999, p. 165-82.
- Kinney, Arthur. "“Scottish History, the Union of the Crowns and the Issue of the Right Rule”". Ed. Brink, Jean R. and William F. Gentrup. Renaissance Culture in Context. Aldershot, 1993, p. 18-53.
- Kinney, Arthur. Lies Like Truth: Shakespeare, “Macbeth” and the Cultural Moment. Detroit: Michigan State UP, 2001.
- Kliman, Bernice. Macbeth: Shakespeare in Performance. 2º ed. Manchester: Manchester University Press, 2004.
- Knight, Wilson G. The Imperial Theme. London: Oxford University Press, 1931.
- Knights, L.C. "How Many Children Had Lady Macbeth?". Explorations. 1933 (rpt. 1964).
- Krantz, David L. "“The Sounds of Supernatural Soliciting in Macbeth”". SP. 2003, 100.3, p. 346-83.
- LaBelle, Jenijoy. "““A Strange Infirmity”: Lady Macbeth’s Amenorrhea”". Shakespeare Quarterly. 1980, 31.2, p. 381-6.
- Levin, Harry. "Two Scenes from Macbeth". Ed. Philip H. Highfill. Shakespeare’s Craft: Eight Lectures. Carbondale: Southern Illinois UP, 1982, p. 48-68.
- McDonald, Russ. Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespeaerean Stage. Athens: U of Georgia P, 2005.
- McEachern, Claire. "“The Englishness of the Scottish Play: Macbeth and the Poetics of Jacobean Union”". Ed. Macinnes, Allan I. and Jane Ohlmeyer. The Stuart Kingdoms in the Seventeenth Century: Awkward Neighbours. 2002, p. 94-112.
- Miola, Robert. "Two Jesuit Shadows in Shakespeare: William Weston and Henry Garnett". Ed. Ken Jackson and Arthur F. Marotti. Shakespeare and Religion: Early Modern and Postmodern Perspectives. Notre Dame: Notre Dame UP, 2011, p. 25-45.
- Muir, Kenneth. "Image and Symbol in Macbeth". Shakespeare Survey. 1966, 19, p. 45-54.
- Mullin, Michael. "“Macbeth on Film”". Literature Film Quarterly. 1973, 1, p. 332-42.
- Newstock, Scott L. and Ayanna Thompson. Weward Macbeth: Intersections of Race and Performance. New York: Palgrave Macmillan, 2010.
- Norbrook, David. "Macbeth and the Politics of Historiography". Ed. Kevin Sharpe and Setven N. Zwicker. Politics of Discourse: The Literature and History of Seventeenth-Century England. Berkeley: University of California Press, 1987, p. 78-116.
- Nosworthy, J. M. "“The Bleeding Captain Scene in Macbeth”". RES. 1946, 22.86, p. 126-30.
- Orgel, Stephen. "Macbeth and the Antic Round". Shakespeare Survey. 1999, 52, p. 143-53.
- Orgel, Stephen. "“Macbeth and the Antic Round”". Shakespeare Survey. 1999, 52, p. 143-54.
- Prescott, Paul. "“Doing All that Becomes a Man: The Reception and Afterlife of the Macbeth Actor”". Shakespeare Survey. 2004, 57, p. 81-95.
- Rank, Sven. Twentieth-Century Adaptations of Macbeth. Writing Between Influence, Intervention, and Cultural Transfer. Frankfurt am Main: Peter Lang, 2010.
- Rosenberg, Marvin. The Masks of Macbeth. Berkeley: University of California Press, 1978.
- Shapiro, James. "“The Scot’s Tragedy and the Politics of Popular Drama”". English Literary Review. 1993, 23, p. 428-49.
- Smith, Emma. Macbeth: Language and Writing. London and New York: Bloomsbury, 2013.
- Spender, Stephen. "Time, Violence, and Macbeth". Ed. Lehmann, John. Penguin New Writing. 1941, p. 115-26.
- Welles, Orson. Orson Welles on Shakespeare: The WPA and Mercury Theatre Playscripts. Ed. France, Richard. New York, 1990.
- Williams, George Walto. "Macbeth: King James’s Play". South Atlantic Review. 1982, 47.2, p. 12-21.
- Wills, Garry. Witches and Jesuits: Shakespeare’s Macbeth. New York: Oxford University Press, 1995.
- Wilson, Richard. "“The Pilot’s Thumb: Macbeth and the Jesuits”". Ed. Robert Poole. The Lancashire Witches. Histories and Stories. 2002, p. 126-45.
- Worster, David. "“Performance and Pedagogy in Macbeth”". Shakespeare Quarterly. 2002, 53, p. 362-78.
Traducciones
Español
- Shakespeare, William. Macbeth. Ed. Andreu Jaume. Tra. Agustín García Calvo. Vol. 2. Barcelona, 2012, p. 677-766, 5 vols. (Orig: Macbeth)
Adaptaciones
- Davenant, William. Macbeth: A Tragedy with all the Alterations, Amendments, Additions and New Songs. London, 1674.